Adam Carolla and Dennis Prager examine the reality of life and discourse on college campuses in modern America.

Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, Teo’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology. 　　The fictional realm of Singapore’s government housing, mediates the entangled relationship between artificial intelligence and the Taoist Book of Changes, or I Ching. Here, the hexagram divination symbols of the I Ching engage in a dialogue with the architectural elements found in the building. The film toggles through fiction and archival documentation, interweaving timelines, narratives, and spaces.

This documentary recreates a genuine sense of the personal presense of the late modern architect, Paul Rudolph, and the ambience of his studio. Mr. Rudolph was widely recognized within the architectural profession as spontaneously brilliant, and the unchallanged master of space and the manipulation of form. The episode during the construction of the chapel at Emory University gives insight into the kinds of frustrations artists often suffer at the hands of short-sighted patrons. A fine film, based upon the reality it conveys, if for no other reason.

A moving portrait of a creative sanctuary lost to gentrification. Centered on the now-vanished warehouse at 411 New York Avenue NE, the film revisits the final year of Union Arts DC—a vibrant hub that from 2012 to 2016 was home to visual artists, musicians, performers, and dreamers. Through archival footage, intimate interviews, and the voices of artists who worked and performed there, the documentary captures the spirit of a space where art thrived and community flourished—until developers arrived with plans for a boutique hotel. As tenants rallied to save their space, Making Spaces: The Legend of Union Arts becomes a powerful elegy for what was lost and a rallying cry for what’s still at stake in the future of DC’s cultural landscape.